Collections at The Craft Hotel
On a hunt for hidden ‘easter eggs’ during your stay at The Craft Hotel?
Discover our crafted collections:
On a hunt for hidden ‘easter eggs’ during your stay at The Craft Hotel?
Discover our crafted collections:
Signature essentials and limited-edition collaborations designed for you to take a piece of The Craft Hotel home.
A living record of 300+ heritage pieces from CV Garuda, meticulously restored in Andong to preserve the soul of Balinese craftsmanship.
A curated permanent assembly of contemporary works acquired from visionary artists to define the hotel’s creative spirit.
Our collection of tees, sweaters, and accessories is a playful celebration of our House of Creativity slogan. Each piece is designed with an eclectic spirit, inviting you to carry the fun and vibrant energy of your stay wherever your journey leads next.
This collection features over 300 refurbished archival samples salvaged from the storage of CV Garuda Bali. We have meticulously repainted and repolished these pieces, giving new life to hand-carved treasures that represent the peak of local mastery and enduring artistry.
Discover the provenance and stories of Ubud through our curated gallery of local collaborations. We bring the visionary makers of Bali into the heart of your experience, showcasing a diverse range of textured works that celebrate the art of creation. Witness their process, hear their stories, and let their unique artistry inspire your own journey.
This work reimagines the Balinese female figure through bold screen printing, celebrating ancestral beauty as a vibrant, modern icon. It asserts that traditional craftsmanship is a living harmony that remains profoundly relevant today.
The Craft examines the evolution of Balinese tradition through the lens of post-tourism “signboard” aesthetics. It explores how commercial modernism and ancestral heritage collide to form a new, reconstructed identity.
Breathing Blue translates the formless nature of breath into a physical meditation on the “blue” of distance and depth. This work captures the productive tension between Balinese tradition and the pulse of global modernity.
Energy from Crafts captures the kinetic spirit of Balinese culture using a fresh, contemporary color palette. It explores the idea of “craft” not as a relic of the past, but as a transformative power evolving within the modern landscape.
In this series, Dwymabim explores the enduring vitality of Balinese cultural identity through the dual lenses of Beauty and Energy. By centering the figure of the Balinese woman, the works serve as a vessel for a “timeless creativity”—one that honors the past while vibrating with the pulse of the present.
Through the use of a bold, contemporary color palette and the precision of screen printing, Dwymabim reimagines traditional motifs as modern icons. These works argue that the “craft” is not a static relic, but a living energy capable of evolving. The fusion of traditional subjects with fresh, vivid hues creates a new harmony, asserting that ancestral elements remain profoundly relevant and transformative within the modern artistic landscape.
The Craft investigates the morphological shift of Balinese tradition as it manifests in the “signboard” aesthetic of the post-tourism era. This visual language—characterized by a lack of singular stylistic origin—functions as a bridge, translating contemporary commercial imperatives into a reconstructed identity rooted in ancestral culture. Through this work, Nugi interrogates the trajectory of Balinese art and design, observing how heritage is both organically evolved and synthetically developed to meet the gaze of the global “other.”
In Breathing Blue, I Wayan Upadana explores the vital breath (prana) as an invisible architecture of existence. While breath is inherently formless and abstract, it is the fundamental force through which we participate in life. Upadana posits that breathing is not merely a biological reflex, but a spiritual maintenance of energy.
The work utilizes “blue” as a metaphor for the deceptive nature of distance and depth—reminiscent of the sea, the sky, and the far-off mountains—which transform as one moves closer to their essence. This serves as a poignant reflection on the contemporary Balinese condition: a world where tradition and modernity, or the local and the global, exist in a state of productive tension. This entanglement is not a conflict, but a dynamic, inseparable bond that sustains the pulse of modern life.
In this series, Dwymabim explores the enduring vitality of Balinese cultural identity through the dual lenses of Beauty and Energy. By centering the figure of the Balinese woman, the works serve as a vessel for a “timeless creativity”—one that honors the past while vibrating with the pulse of the present.
Through the use of a bold, contemporary color palette and the precision of screen printing, Dwymabim reimagines traditional motifs as modern icons. These works argue that the “craft” is not a static relic, but a living energy capable of evolving. The fusion of traditional subjects with fresh, vivid hues creates a new harmony, asserting that ancestral elements remain profoundly relevant and transformative within the modern artistic landscape.